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False Impression (Hardcover)
MacMillian Publishing Company
No. Of Pages
Description :

Why was an elegant lady BRUTALLY MURDERED the night before 9/11?
Why was a successful New York banker not surprised to receive A WOMAN'S LEFT EAR in the mail?
Why did a young woman with a brilliant career steal an IMPRESSIONIST PAINTING?
Why was an honors graduate working as a temporary secretary after INHERITING A FORTUNE?
Why was a SENIOR FBI AGENT trying to work out the connection between these four apparently innocent individuals?
A breathtaking journey of twists and turns from New York to London, from Bucharest and on to Tokyo ends up in a sleepy English village where the mystery surrounding Van Gogh's last painting will finally be resolved.

Editorial Review :

From Publishers Weekly

Even though Archer (Sons of Fortune) grounds his international art-thievery thriller in the events of 9/11, this leisurely paced, tepid effort has a musty feel. It's September 10, 2001, and Lady Victoria Wentworth is sitting in spacious Wentworth Hall considering the sad state of family fortunes when a female intruder slips in, slashes her throat and cuts off her ear. The next day in New York, art expert Anna Petrescu heads to her job as art wrangler for wealthy magnate Bryce Fenston of Fenston Finance. The pair's offices are in the Twin Towers, and when disaster strikes, each sees the tragedy as an opportunity to manipulate a transaction scheduled to transfer ownership of a legendary Van Gogh painting, Self-portrait with Bandaged Ear, from the Wentworth estate to the larcenous Fenston. The initially intriguing character, hit-woman and ex-gymnast Olga Krantz, turns out to be too lightweight, both physically and fictionally, to garner strong interest in anything other than her deadly skills with a kitchen knife. Lord Archer has been busy for the past five years or so serving half of a four-year prison sentence for perjury and writing a series of books about his prison experience; his first novel in seven years disappoints. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Archer's legion of fans have been waiting for seven years for his new thriller, and its success will probably depend on how well it sits with them. Some readers may sink right into the murderous plot involving--you guessed it--valuable works of art. Others may read several chapters, get the gist of the story and its characters (plucky heroine, on the run from homicidal financier, tries to keep Van Gogh's last painting out of his evil clutches), and think: for this, we waited? It's not a bad novel, if you don't mind a thriller that feels as though it was assembled from bits and pieces of other thrillers. Certainly Archer's writing skills have not deteriorated over the years, although they haven't improved, either. Some readers, too, may question the wisdom of using the 9/11 terrorist attacks on the World Trade Center as a plot point; this isn't a serious work about terrorism but, instead, simply uses the tragedy as a convenient narrative landmark. On the other hand, for those who found the appeal of The Da Vinci Code to be in its mix of art and conspiracy, this one certainly follows the formula. Expect some demand, but buy with care. David Pitt
Copyright © American Library Association. All rights reserved

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About the Author :

Jeffrey Archer was educated at Oxford University. He has served five years in Britain's House of Commons, fourteen years in the House of Lords and two in Her majesty's prisons, which spawned three volumes of highly acclaimed Prison Diaries. All of his novels and short story collections--including Kane and Abel, Sons of Fortune, and False Impression--have been international bestsellers. Archer is married with two children and lives in London and Cambridge.